English, Musik, Portfolio

Run

It’s been a long time since I uploaded a song. I wrote a lot of songs and recorded them with my phone. Most of them are crappy and this one is not less crappy but the hell, this is a mark of my diminishing skill. But I believe if my guitarist Yuda Wahyudin sing this song, this could be a lot better. Somehow I heard this song somewhere, probably the Corrs or Sondre Lerche or something. Haha.

I feel your lips on mine
I smell your pheromone
recalling all the pieces
recreate all the places
we took apart

I place my head to bed
and all my life’s a bet
you put on all your make up
and all your life a dressed up
we drift apart

And when the sun was setting
all was shutting we will shouting free
And in a time there’s nothing
left to holding, world is folding

night and day will have their way
but you have I in

One night a lifetime
With you
It’s all that I need
You, someone to
Be true
Just for a blink of an eye
Ephemerally, magically
We live and we die
And it’s over and done
And we’re back on the run

English, Memoir, Racauan

Listen to Me, Norman

For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause.

You are in a bad dream.

A group of women, their face painted, naked, bosoms bouncing in their dance, as the twilight sets in blue and purple. They are surrounding a big fire, with yellow and green smoke. You are just lying there, helplessly bared. You can’t move. Your penis erecting. The women starts to hold that little tower of yours, your manhood, your God-given power. And you just lay still. One of them took a knife from inside her cunt, a black and rough, blade like an ancient tooth of a fossilised beast. The others, licking your body, kissing you passionately–no, hungrily. Sucks your tongue out till it hurts like she will ripped it out of your throat; her saliva tastes like the ocean, salty and bitter. The rest touching you, biting your body. You can feel all of these pain.

They  are lining on your right and left side. One of them lifts your head so you can see your erecting mojo, then the one with the knife, caresses your penis, and slowly slicing it. You can feel the slow intense pain of every cut, you can hear the friction of your skin and flesh to the blunt blade. Heart pumping blood gushing tears flowing; you’re screaming in silence. In this dream, you have no voice. No control. The only thing left is senses. The woman holding your head won’t let your eyes close. As your blood splashing and streaming, you pray that your life will be over soon, you believe it will be over soon, you know it will be over soon but somehow it feels like a lifetime.

You see the knife woman ripped your penis and holding it up high. The others hold you up, tie you on a cross, and force you to watch a ceremony, in which they started to sing a lament. The knife woman, touches the fire and walks toward a spike in the middle of the flame, she pierces your penis onto the spike, with its bald head facing up to the purple sky. You starts to feel a new kind of pain, like a million needles impedes your toes, feet, then all over your body. You’re dying but not yet die. The God of dreams wont let you die. Your eyeballs catching fire as cold as immortal ice. Then you see…

Your ceiling. You can move again. You touch your penis, and like you it is afraid and hiding beneath your skin. In a split second you think you really lost it. But no, it is still there, peeping through your prepuce. You’re breathing fast, your chest hurts because your heart is running wild. Then you starts to hear that sound; a slow breathing of the woman you love, sleeping beside you. Your heart knows it has to stop running. You are home. Everything will be alright. Everything. Will. Be. Fine.

So you keep pace with her easiness. Ease your anxiety. You see the clock in the dark, 4.05. Damn. You’re just being asleep for less than ten minutes. And yet it felt like infinite hell. You takes her hand and kisses it. She smiles in her sleep. She must have a good dream. Good.

Then you close your eyes again. You are tired. The whole day people are talking endlessly about insignificant things. And you cannot escape that lightness, small things. These people, wasting emotions for futile emptiness, like debts, gossips, religions, heaven and hell, poverty, ambition of the material world–shits like that. And you think you are the most significant being, the overman who is above everything. Your mind is GOD. You think all the trouble in the world are nothing but noises that can be shut, equalize, filtered, composed. You know what you want, you know that you are a composer of art, you can catch those noises and turns them to music. In that music, you are safe. And you can save other people. You can inspire. You think that you are a painter, taking blood of the innocents, war and terror, happiness and sadness, all this useless chaos, putting them in your palette and locks it in a frame. Structured, balanced, the golden ratio. You feel them, understand them, and yet you separate yourself from them. Taking what you need, and put it in song, in a frame. And you can do that because she’s around. The woman you love. She will keep you safe.

Then you sleep again.

You are in a bad dream.

A group of women, their face painted, naked, bosoms bouncing in their dance, as the twilight sets in blue and purple. One of them lifts your head so you can see your erecting mojo, and then the other, the one with the knife, caresses your penis, and slowly slicing it.

Listen to me, Norman. Do not sleep. Do. Not. Sleep.

 

 

 

English, Film, Kurasi/Kritik, Uncategorized, Workshop

The Young & Stupid Stanley Kubrick and Me

Weeks ago, I found this short documentary on Stanley Kubrick by Jim Casey, Kubrick: The Lost Tape, and it made me eager to make films again. My last (and second) film, Stalkers, haven’t been screened or distribute for many reasons–one of them is because I don’t have time, money, and enough skill to craft it yet. And being a producer and director was really hard especially if you were going abroad without having the time to edit the film or distributed it properly. Having a producer that was not yourself helped a lot. My first short, Mother Earth, produced by Tito Imanda, for me wasn’t really satisfying in terms of production and direction. But having Tito there made the film a lot more available to a specific public, more valuable and worth-watching somehow–in academic context. On the contrary, Stalkers cost me and some people quite a lot so I almost gave up trying to dream of another film of mine before this one is properly re-edited and distributed.

But watching this documentary made me realized a lot of things. One of them is my collection of short stories and scattered ideas. I heard Kubrick voice in my head, and I was surprise that his voice is just like an ordinary nerd, and he seemed like a fun guy to work with. He never hesitated to say that his films were awful or horrible. He did not stop, and he learn a lot.

Kubrick started his career as a photographer, then an assistant professional photographer, then an amateur documentary filmmaker, then a feature filmmaker and most of his early works sucks. He admitted that he hated reading until he graduate from college, and he needed to catch up intellectually to match his cinematography and his references. He learned film productions by making a lot of stupid mistakes. And that is exactly what I am doing today. Of course I’m in my thirties, kind of a little late. But Yasmin Ahmad, the famous Malaysian director, made her first feature in her 40’s, which is nice.

Well, without further ado, enjoy this short documentary. I’m gonna finish another story of mine about an A.I. thief who run to Kansas, then have walk outside to make some video diary. If Kubrick has a lot of reading to catch when he was my age, I got a lot of shooting to catch. My sense of space and geometric really sucks. I need to learn simple cinematography, before I can hire a real cinematographer.